Selected Product: | Janson's History of Art: The Western Tradition Hardcover Edition: 7th Author: Penelope J.E. Davies, Walter B. Denny, Frima Fox Publisher: Prentice Hall Release Date: 2006-02-16 ISBN-10: 0131934554 ISBN-13: 9780131934559 List Price: $134.67 Average Customer Rating: | | A Short Guide to Writing About Art ISBN-10: 0136138551 ISBN-13: 9780136138556 List Price:$43.00 Janson's History of Art 7th Ed. ISBN-10: 0131934783 ISBN-13: 9780131934788 List Price:$125.00 From Abacus to Zeus: A Handbook of Art History ISBN-10: 0131830511 ISBN-13: 9780131830516 List Price:$35.40 Writing About Art (6th Edition) ISBN-10: 020564578X ISBN-13: 9780205645787 List Price:$32.20 Janson's History of Art: The Western Tradition (Art Notes Plus) ISBN-10: 0132239612 ISBN-13: 9780132239615 List Price:$29.00 |
To use our price comparison to get the cheapest price, please click on the "Find the Cheapest Price" button located above for Janson's History of Art: The Western Tradition by Penelope J.E. Davies, Walter B. Denny, Frima Fox (ISBN-10: 0131934554, ISBN-13: 9780131934559). At this time we have not yet written a review for Janson's History of Art: The Western Tradition by Penelope J.E. Davies, Walter B. Denny, Frima Fox (ISBN-10: 0131934554, ISBN-13: 9780131934559). Please continue to keep checking back to this page as we are constantly adding reviews. Summaries and Customer Reviews are supplied by Amazon.com This four-part volume uses an exceptional art program–with sumptuous color pictures–to introduce readers to a succession of art styles from prehistoric times and ancient Egypt, to the vast world of Western painting, sculpture, architecture, photography, and the minor arts. Elegantly written, it contains a balanced and interesting narrative that increases ones ability to understand art. Parts I and II cover The Ancient World and The Middle Ages, with a look at prehistoric; Egyptian; ancient near eastern; Aegean; Greek; Etruscan; Roman; early Christian, Byzantine, and Medieval; Romanesque; and Gothic art. Part III looks at the Renaissance through the Rococo–with a focus on the early and high renaissance in Italy; mannerism and other trends; “Late Gothic” painting, sculpture, and the graphic arts; and the Baroque in Italy, Spain, Flanders, Holland, France and England. Part IV is a treatment on the modern world, including Neoclassicism and Romanticism; Realism and Impressionism; Post-impressionism, Symbolism, and Art Nouveau; Twentieth-Century painting, sculpture, architecture, and photography; and Postmodernism. For those who appreciate art as individual works, rather than a mere collection of data. Janson's art history book | Customer Rating: | | When buying this book I was assured that it was brand new and in mint condition. I even paid more to have a book in good condition. When it came in the mail there were pages torn out of the book and important pictures and text missing. | HUGE BOOK | Customer Rating: | | I'm using the book for an art history class. It might've been more useful to buy the book in sections. I hear that the book is also printed as two books (halves) which would be much more useful and convenient to move around. | shweet | Customer Rating: | | love it! very informative and has the best of the best artworks. but could use a modern edition strictly of the 20th century | Great coverage and analysis | Customer Rating: | | I used the original Janson when I took art history in college. I bought this for my son and started reading it on my own. What a wonderful rework of this classic. It provides very accessible descriptions of historical context as well as clear presentations of the impact of "technology" (i.e. development of various media) on the ability of the artists of various periods to express themselves. Love this book. | Historical context makes art more meaningful | Customer Rating: | This book is incredibly comprehensive and covers all aspects of art in different cultures, including painting, sculpture, architecture, and burial sites. It is remarkably detailed (almost too much so), and has many great pictures.
The most distinctive aspect of this book is the primary sources it includes that explain the historical context of artworks. For example, there are numerous letters (translated, of course) from Italian artists in the Renaissance to their clients. Another text includes excerpts from the law code of Hammurabi, to accompany the sculptural piece on which it was originally engraved. |
|